Red Giant TV出品的AE教程合集的第一卷
用于Adobe After Effects的免费视频教程：红大型电视 - 第一册
红巨星软件：红色大型电视
RAR的：2.93 GB的（的unrar：3.10 GB）的
寻找事件的提上了快车道您创造最热门的动态图形和视觉效果。显示功能的一个或多个红巨星结合使用内置工具产品，在 After Effects，Final Cut Pro中，和Premiere Pro来。主机阿哈龙拉比诺维茨演示的技术需要更少的时间生产更高质量的工作。
01.Binary过渡段1
拉比诺维茨通过阿哈龙
这段插曲说明了如何使用Trapcode表格来创建一个戏剧性的转变在画面分解成二进制代码，并重新为不同的画面形式。
02.Binary过渡段2
拉比诺维茨通过阿哈龙
在这一集，阿哈告诉您如何改善并完成了与时间重定位和照相机动画工作的二元过渡项目。另外，看看魔术子弹看起来和Trapcode服务帮助添加收尾。
03.Looping一个粒子系统
拉比诺维茨通过阿哈龙
在这一集，你将学习如何建立一个无缝循环粒子系统。我们将使用Trapcode的特殊和斯塔格洛创造一个程式化的假日暴风雪，但其概念可以从什么背景下3rds适应。
04.Better合成技术
拉比诺维茨通过阿哈龙
在这一集，了解合成技术，不属于键控。使用的工具可用于After Effects的，首演，Final Cut Pro中，运动，拉斯维加斯和Avid，你会发现如何改善你的工作少了复合材料的质量。
05.Controlling时间与音频 - 铂。 1
拉比诺维茨通过阿哈龙
在这一集，阿哈拉比诺维茨您展示了如何使用音频控制时间。您将了解如何使您的视频自动将及时着音乐的节拍 - 在音乐录影带和广告吨，采用的技术。
06.Controlling时间与音响 - 铂。 2
拉比诺维茨通过阿哈龙
在这一集，阿哈继续探讨如何音频可以被用来控制时间，但他在此向您展示如何扩展了它可以用来改变画面看起来好。
07.Getting更好的发射极特殊的位置，在控制Trapcode
拉比诺维茨通过阿哈龙
在这一集，为我们将看到一些非常有用的 Trapcode的特殊技巧，让您更好地控制发射器的位置在二维和三维。您还将学习如何捕捉你的鼠标（或触控笔）来控制发射器位置的议案。
08.Creating和工作的复杂三维项目
拉比诺维茨通过阿哈龙
在这一集，用于简化和阿哈股组成的三维工作的一些提示。您还可以在能够很轻松地分配和安排在三维空间的层次看一些很酷的工具，而且在创建复杂的三维形状的帮助。
09.Creating一看水彩画
拉比诺维茨通过阿哈龙
在这一集，阿哈告诉您如何成为一个动画水彩画您的影片，并分享一些技术在不同的外观和颜色。
10.Creating交通格局
拉比诺维茨通过阿哈龙
在这一集，阿哈拉比诺维茨显示您如何创建一个现实的交通格局的背景下 - 一个场景中，镜头从高俯视山一低洼，但发展领域 - 或许俯视一居民区大。
11.Form面 - 第1部分
通过Maltaannon
创建一个漂亮的玩具推针效果就像在Radiohead 的“卡之家”的视频。本教程向您介绍如何创建一个令人瞠目的3D画面效果相结合，定期与红巨星的流行Trapcode表格插件。
12.Form脸 - 第2部分
通过Maltaannon
在本教程的一部份，Maltaannon我们展示了如何创建一个真棒推针三维人脸，用红色巨人Trapcode形式。在第2部分，他会更深入地加强表格的属性要的效果，并做一些相机的工作。
与Final Cut Pro的13.Compositing该媒体展
由约翰花
在这个红色大型电视插曲，约翰花时间落后的场面，媒体展示我们分享他在Final Cut Pro的合成工作流程。
在您的专14.Planning电影制作的生产流程
由Eric埃斯科瓦尔
圣丹斯著名电影制片人/导演埃里克埃斯科瓦尔论述了生产过程 - 寻觅地点，铸造，灯光，拍摄，和如何需要生产计划后，在这前面步骤。
15.Better合成与颗粒
拉比诺维茨通过阿哈龙
在这个红色大型电视节目，阿哈拉比诺维茨显示你把里面的一个粒子系统的中间层的一种技术 - 整合的关键，真正的与您的生活行动的CGI画面或动画效果。
16.Better合成与光裹
拉比诺维茨通过阿哈龙
在这一集，阿哈拉比诺维茨介绍如何获得更好的合成与光裹结果 - 用于融合在一个综合的背景光及前景元素更令人信服的效果。
在Final Cut 17.Color分级与魔术子弹看起来临
由菲利普布卢姆
在这一集，获奖导演，菲利普布卢姆引导过程中，你的颜色分级他的电影“回归珍宝在Final Cut Pro”，使用魔术子弹样子。
18.Compositing提示从'绿屏轻松'
由米歇尔山崎
在这一集，该级AE的米歇尔山崎股份的伟大合成从她的新书，绿屏提示轻松吨。
19.Creating一个转运的影响
斯特恩通过叶兰
在这一集，总工程师叶兰斯特恩愤怒地把他的作品星河的转运回线救同胞船员被困在一个充满敌意的星球。但时间已经不多了。将叶兰能够及时建立在声发射转运？
20.Creating与Trapcode特殊三维图片蒙太奇
Birnholz由Rob
在这一集，罗布Birnholz显示你一个快速创建一个特殊的3D图片与Trapcode蒙太奇很好的技术。它只需几分钟成立，但可以节省您的工作时间。
21.Creating一个文本砂转型
拉比诺维茨通过阿哈龙
在这个红色大型电视节目，阿哈拉比诺维茨显示您如何创建的文字效果（或标识）溶解，以砂和吹了。您还将学习如何扭转过渡，使砂成文本形式。
22.Creating一夏看电影大片
通过斯图马施威茨
在本周的插曲，罪恶之城的视觉效果总监 - 和我们的新创意总监 - 斯图马施威茨，显示您如何获得百视达看看夏季出现在变形金刚2，终结者：救世军，以及佩勒姆1-2-3为例。
23.Peel，客场涡转型
拉比诺维茨通过阿哈龙
在这个红色大型电视节目，阿哈拉比诺维茨显示您如何创建一个文本和其他元素的疯狂冷静过渡。本教程为基础所以一定要检查它的RGTV 21集，其中阿哈涵盖了文本到砂过渡。
24.An介绍Trapcode特殊2
通过Maltaannon
在这个红色大型电视，考虑到在Trapcode特殊2 的新功能介绍Maltaanon回报插曲。不仅仅是一个概述更多，你会看到几个现实世界的例子，这将有助于迅速启动，尤其2你的工作。
25.Creating特别是人群拥挤的场景2
由哈里弗兰克
在这个摇滚红大型电视，运动设计师哈里弗兰克事件向您介绍如何创建一个现实的场景使用Trapcode特殊人群2。他还将创建一个类似的场景使用Trapcode表格。
26.Score！与数字文本
由哈里弗兰克
在这个红色大型电视节目，给你阿哈拉比诺维茨与一些很酷的数字文本的工作技巧，像视频游戏得分和其他数字读数的事情。任何第三方插件是在本教程 - 只需直接影响后。
27.Building机场的场景 - 第1部分：背板
由马蒂亚斯Mohl
在这个红色大型电视节目，马蒂亚斯Mohl您展示了如何利用一个停车场画面，使之成为背钢板机场场面了。
28.Building机场的场景 - 第2部分：合成
由马蒂亚斯Mohl
在这个电视节目的RG，马蒂亚斯Mohl继续他的机场项目。了解如何与摩卡对于运动轨迹的影响后，再使用，随着他自己的MochaImport脚本数据轻松地创建了坚实的复合材料。
29.Form文本
由Tim克拉珀姆
在这个红色大型电视插曲，添克拉珀姆向您介绍如何使用 Trapcode表格来创建一个凉爽一些转型期粒子为基础的3D文字沿和关闭。
30.3D运动图形标志
卡尔拉森
在本教程中，卡尔拉森告诉您如何创建一个三维粒子阵列使用Trapcode红色巨形平面空间来实现，在大多数情况下，已经更加复杂，保留3D应用研究。
31.Creating旧校科幻电视开幕
乍得珀金斯
在这个红色大型电视节目，乍得珀金斯介绍如何创建一个黄昏区去年秋季开始使用各种电视节目内容，用后效果，Photoshop，Illustrator以及四维影院。准备好踢它老学校...
32.Feature片名治疗
乍得博南诺
在这个RGTV插曲，乍得博南诺显示您如何创建的动画故事片标题为“梦幻女郎”。这些游戏也被用来在广播广告和预告片获奖的影片。
33.Creating一个食死徒幻影效果
由迈克尔公园
在这个电视节目的红巨星，迈克尔公园显示您如何创建食死徒的幻影效果，就像在“哈利波特”电影。
34.3D或场景
罗伯特赫拉尼茨基
在这个红色大型电视，自由设计师罗伯特赫拉尼茨基事件向您介绍如何服用2静止图像，并利用它们来创建逼真的三维场景雷雨 - 随着Photoshop的帮助作用后，Trapocode特殊和视野。
35.Creating与Trapcode特别是圣诞树
由迈克尔公园
在这个电视节目的红巨星，迈克尔公园返回给我们带来了关于建立与Trapcode圣诞树（特别是与灯光和顶级明星在完成）精彩教程。您还可以使用Trapcode斯塔格洛提高的外观。
Free Video Tutorials for Adobe After Effects: Red Giant TV - Vol.1
Red Giant Software: Red Giant TV
Rar: 2.93 GB (UnRar: 3.10 GB)
Find episodes that put you on the fast track to creating the hottest motion graphics and visual effects. The shows feature one or more Red Giant products used in combination with the tools built-in to After Effects, Final Cut Pro, and Premiere Pro. Host Aharon Rabinowitz demonstrates the techniques you need to produce higher quality work in less time.
01.Binary Transition Part 1
By Aharon Rabinowitz
This episode shows you how to use Trapcode Form to create a dramatic transition where footage breaks into binary code, and re-forms as different footage.
02.Binary Transition Part 2
By Aharon Rabinowitz
In this Episode, Aharon shows you how to improve on and finish the binary transition project by working with Time Remapping and Camera animation. Plus, see how Magic Bullet Looks and Trapcode Shine help add the finishing touches.
03.Looping a Particle System
By Aharon Rabinowitz
In this Episode, you'll learn how to set up a seamless looping particle system. We'll be using Trapcode Particular and Starglow to create a stylized holiday snowstorm, but the concepts can be adapted for anything from backgrounds to lower 3rds.
04.Better Compositing Techniques
By Aharon Rabinowitz
In this Episode, learn about compositing techniques that fall outside of keying. Using tools available for After Effects, Premiere, Final Cut Pro, Motion, Vegas and Avid, you'll discover ways to improve the quality of your composite with less work.
05.Controlling Time with Audio - Pt. 1
By Aharon Rabinowitz
In this episode, Aharon Rabinowitz shows you how to use audio to control time. You'll learn how to make your video automatically move forward in time to the music's beat - a technique used in tons of music videos and commercials.
06.Controlling Time with Audio - Pt. 2
By Aharon Rabinowitz
In this episode, Aharon continues to explore how audio can be used to control time, but he expands on that by showing you how it can be used to change the look of the footage as well.
07.Getting Better Control of Emitter Position in Trapcode Particular
By Aharon Rabinowitz
In this Episode, we'll look at some very useful techniques for Trapcode Particular that will give you better control of emitter position in 2D and 3D. You'll also learn how to capture the motion of your mouse (or stylus) to control emitter position.
08.Creating and Working with Complex 3D Projects
By Aharon Rabinowitz
In this episode, Aharon shares some tips for simplifying and working with 3D compositions. You'll also get a look at some cool tools designed to easily distribute and arrange layers in 3D space, and that help in creating complex 3D shapes.
09.Creating a Watercolor Painting Look
By Aharon Rabinowitz
In this episode, Aharon shows you how to turn your video into an animated watercolor painting, and shares some techniques in varying the look and color.
10.Creating Traffic Patterns
By Aharon Rabinowitz
In this episode, Aharon Rabinowitz shows you how to create a realistic traffic pattern backdrop - great for a scene in which the camera overlooks a low lying, but developed area - perhaps looking down from a high hill onto a residential neighborhood.
11.Form Face - Part 1
By Maltaannon
Create a slick push pin toy effect as seen in the Radiohead “House of Cards” video. This tutorial shows you how to create an eye-popping 3D effect by combining regular footage with Red Giant's popular Trapcode Form plug-in.
12.Form Face - Part 2
By Maltaannon
In part 1 of this tutorial, Maltaannon showed us how to create an awesome push-pin 3D face, using Red Giant's Trapcode Form. In part 2, he'll enhance the effect by going deeper into Form's properties, and doing some camera work.
13.Compositing with Final Cut Pro for That Media Show
By John Flowers
In this Episode of Red Giant TV, John Flowers takes us behind the scenes of That Media Show to share his workflow for compositing in Final Cut Pro.
14.Planning for Post in your Filmmaking Production Workflow
By Eric Escobar
Sundance acclaimed filmmaker/director Eric Escobar discusses the production process - scouting locations,casting, lighting, filming, and how one needs to plan for post production during these earlier steps.
15.Better Compositing with Particles
By Aharon Rabinowitz
In this episode of Red Giant TV, Aharon Rabinowitz shows you a technique for placing layers inside the middle of a particle system - crucial to truly integrating your CGI effects with your live action footage or motion graphics.
16.Better Compositing with Light Wraps
By Aharon Rabinowitz
In this Episode, Aharon Rabinowitz shows you how to get better compositing results with Light Wraps - an effect used to blend the background light and foreground elements more convincingly during a composite.
17.Color Grading in Final Cut Pro with Magic Bullet Looks
By Philip Bloom
In this Episode, award-winning director, Philip Bloom walks you through the process of color grading his film "Return to Dungeness" in Final Cut Pro, using Magic Bullet Looks.
18.Compositing Tips from 'Greenscreen Made Easy'
By Michele Yamazaki
In this Episode, the Toolfarm's Michele Yamazaki shares a ton of great compositing tips from her new book, Greenscreen Made Easy.
19.Creating a Transporter Effect
By Eran Stern
In this episode, Chief Engineer Eran Stern works furiously to get his Starship's transporters back on-line to rescue a fellow crew member trapped on a hostile planet. But time is running out. Will Eran be able to build the transporter in AE in time?
20.Creating a 3D picture Montage with Trapcode Particular
By Rob Birnholz
In this Episode, Rob Birnholz shows you a great technique for quickly creating a 3D picture montage with Trapcode Particular. It takes just minutes to set up, but can save you hours of work.
21.Creating a Text to Sand Transition
By Aharon Rabinowitz
In this episode of Red Giant TV, Aharon Rabinowitz shows you how to create the effect of text (or a logo) dissolving to sand and blowing away. You'll also learn how to reverse the transition, so that sand forms into text.
22.Creating a Summer Blockbuster Film Look
By Stu Maschwitz
In this week's episode, Sin City's Visual Effects Supervisor - and our new Creative Director - Stu Maschwitz, shows you how to get the Summer Blockbuster look seen in Transformers 2, Terminator: Salvation, and The Taking of Pelham 1-2-3.
23.Peel-Away Vortex Transition
By Aharon Rabinowitz
In this episode of Red Giant TV, Aharon Rabinowitz shows you how to create an insanely cool transition for text and other elements. This tutorial builds on RGTV Episode 21, where Aharon covered a text-to-sand transition, so make sure to check it out.
24.An Introduction to Trapcode Particular 2
By Maltaannon
In this Episode of Red Giant TV, Maltaanon returns with an introduction to the new features in Trapcode Particular 2. More than just an overview, you'll see several real-world examples that will help jump start your work with Particular 2.
25.Creating a Crowd Scene with Particular 2
By Harry Frank
In this rockin' episode of Red Giant TV, Motion Designer Harry Frank shows you how to create a realistic crowd scene using Trapcode Particular 2. He'll also create a similar scene using Trapcode Form.
26.Score! Working with Numeric Text
By Harry Frank
In this episode of Red Giant TV, Aharon Rabinowitz gives you some cool tips for working with Numeric Text, for things like video game scores and other digital readouts. No 3rd Party Plug-ins are used in this tutorial - Just straight After Effects.
27.Building an Airport Scene - Part 1: Backplate
By Mathias Mohl
In this episode of Red Giant TV, Mathias Mohl shows you how to take footage of a parking lot, and turn it into the back plate for an airport scene.
28.Building an Airport Scene - Part 2: Compositing
By Mathias Mohl
In this episode of RG TV, Mathias Mohl continues his airport project. Learn how to motion track with Mocha For After Effects, and then to use that data along with his own MochaImport script to easily create a solid composite.
29.Form Text
By Tim Clapham
In this Episode of Red Giant TV, Tim Clapham shows you how to use Trapcode Form to create some particle-based 3D text along with a cool transition on and off.
30.3D Motion Graphics Logo
By Carl Larsen
In this tutorial, Carl Larsen shows you how to create an array of 3D particles using Trapcode Form and Red Giant Plane Space to achieve a look that, under most circumstances, has been reserved for more complex, 3d applications.
31.Creating an Old-School Sci-Fi TV Opening
By Chad Perkins
In this episode of Red Giant TV, Chad Perkins shows you how to create various elements for use in a Twilight Zone-esque TV show opening, using After Effects, Photoshop, Illustrator and Cinema 4D. Get ready to kick it old-school...
32.Feature Film Title Treatment
By Chad Bonanno
In this episode of RGTV, Chad Bonanno shows you how he created the motion graphics titles for the feature film "Dreamgirls." These titles were also used in the broadcast ads and trailers for the award-winning film.
33.Creating a Death Eater Apparition Effect
By Michael Park
In this episode of Red Giant TV, Michael Park shows you how to create the Death Eater Apparition Effect, as seen in the "Harry Potter" films.
34.3D Thunderstorm Scene
By Robert Hranitzky
In this episode of Red Giant TV, Freelance Designer Robert Hranitzky shows you how to take 2 still images and use them to create a realistic 3D Thunderstorm scene - along with the help of Photoshop, After Effects, Trapocode Particular and Horizon.
35.Creating a Christmas Tree with Trapcode Particular
By Michael Park
In this episode of Red Giant TV, Michael Park returns to us with a fantastic tutorial on creating a Christmas tree (complete with lights and star at the top) with Trapcode Particular. You'll also use Trapcode Starglow to enhance the look.
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