这是业内大名鼎鼎教育机构FXPHD出的NUKE 6 和Stereoscopic高级视频教程.教程非常详细的介绍了NUKE这一高端合成特效软件的知识。NUKE视频教程网上极少，搞后期的朋友不防下载这套看看，不会令你失望的。
D2 Nuke:NUKE是一个获得学院奖(Academy Award)的数码合成软件。已经经过10年的历练，为艺术家们提供了创造具有高质素的相片效果的图像的方法。NUKE无需专门的硬件平台，但却能为艺术家提供组合和操作扫描的照片，视频板以及计算机生成的图像的灵活、有效、节约和全功能的工具。在数码领域，NUKE已被用于近百部影片和数以百计的商业和音乐电视，NUKE具有先进的将最终视觉效果与电影电视的其余部分无缝结合的能力，无论所需应用的视觉效果是什么风格或者有多复杂。
Nuke合成软件参与制作的著名影视有：I, Robot 机械公敌、《极限特工》xXx、《泰坦尼克号》、T-2、《阿波罗13》、《真实的谎言》、《X战警》等...
Stereoscopic 3D是一种立体成像技术，佩戴专用的立体眼镜，平面的3D游戏或电影在观看者眼中就摇身一变成为真正的立体世界。人类的眼睛十分容易被骗，拿着用玻璃纸制作的红蓝色 3D眼镜，透过左右眼过滤了不同的颜色，所看到的图像就变成立体。
Taught by Daniel Smith, this intermediate level class builds upon the Nuk203 course and takes stereoscopic techniques to the next level. We will be looking at Nuke 6.2 and using its new tools like Point Cloud generator, Dope Sheet, and Modeler tools to enhance stereo production. We will address the significant changes that have happened to Ocula and delve deeper into the robust tool.
The class will tackle each topic and then implement the technique into a few shots building them into a final comp from a FXPHD stereo short film. High quality footage with be provided and render passes to work along and build your reel. Later in the course we will cover using XYZ color space and creating DCI compliant DCPs for cinema projection.
Daniel Smith has worked as an animator, compositor, and VFX supervisor for over 20 years. Daniels career took him to pioneering previz on Judge Dredd, animating the famous M&M characters, compositing on films such as Harry Potter and the Prisoner of Azkaban and Spy Kids 3D. He has also been involved with stereoscopic film making for over a decade. Daniel is now the stereoscopic director and Nuke instructor for the Digital Animation and Visual Effects school in Orlando Florida.
Class 1: Intro to the term, understanding 3D spatial relationships, camera implementations, and building 3D camera Rig Gizmo. We will build a new camera gizmo that will be used in many classes to come.
Class 2: Intro to the new tools in Nuke 6.2 and how they can be leveraged for stereoscopic production. We start planning for our stereo shot that will be used for the rest or the term.
Class 3: Stereo Tracking with Nuke X and getting your data out of Nuke and into to Maya and other 3D apps.
Class 4: Using World Point Space passes. Taking advantage of World space passes in Maya to integrate and visualize our 3D
Class 5: We will use projection techniques to generate elements in our stereo shot, add more render layers, fix issues, and plus the shot.
Class 6: Ocula In Depth. An in depth look at the plugin and understanding of the Oculas many uses.
Class 7: Fixing Problem shots with Ocula. We will take a shot that has many problems from polarization errors, color differences, and geometric distortions and use Ocula to make it perfect.
Class 8: Using Nuke X Furnace tools to fix shots without Ocula. If you do not have Ocula I will show you how to use NukeX to accomplish many of the same tasks on a budget. We also look at the new features in Ocula 2.2
Class 9: Lighting and rendering With Nuke. Integration and generating elements from inside the comp. We will create new elements for a stereo shot and render them right inside of Nuke. We will also discuss the creation and use of floating stereoscopic windows.
Class 10: Dealing with 3D Projection setups and creating DCP for cinema delivery, Seeing it big! How to encode our 3D movies for the theater.
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